Sunday's show started really late. I expected the show to start an hour after doors, so at 8, but we were waiting around for an hour, so until 9, before the opener, Emily Greene, came on. I hope all shows at St. Andrew's don't end up being two hours late...that wouldn't bode well for Friday's show.
Speaking of St. Andrew's Hall, I did like the venue. It was the right size, and they had a really good beer list. I also enjoyed the logo at the back of the stage, although as Matthew Good mentioned, it was a little confusing: There was an X, which one could assume signifies the straight edge subculture, but the guy holding it had some sort of cigar/blunt hanging out of his mouth...
The best part of Emily Greene's set may have been the keyboard name, the "Sir Nigel Noteworthy II." Emily Greene's music wasn't actually that bad, but she made some weird faces. And in the words of another concertgoer, "extremely intense...eyes." I was informed that her faces were a side effect of her not using proper singing technique, which may be part of the reason I felt that she would have fit better in a coffee shop than on stage.
Matthew Good "Band" was really just Matthew Good. This guy was a little nuts. And he had been around a lot longer than I realized: Apparently some 20 years. I think he may have spent more time talking than actually playing. That's not to say he wasn't entertaining...his rants were pretty funny, and the music he did play was pretty good. He played a few songs I recognized, some of which I didn't realize were actually his, that I probably would have attributed to someone like Sam Roberts Band. His segues really made him seem like a drunkard though. He would do well as a busker; he's got all the right elements: A guitar, rants, and a somewhat sloppy image. Granted, that last part fits many musicians, but you know...
Matthew Good photo courtesy of Robby Amin